C21 Teaching
  • Home
  • 100 miles for Beyond Blue
  • FTPL Videos
  • Blog
  • List of Blog Series
  • Education Resources
  • Starting with Flipped Learning
  • Friday Freebie
  • About Me
  • Contact

Honours Dissertation Chapter Four

19/4/2017

0 Comments

 
"…if people had maybe a little bit more training in the creative arts, you’d probably see it a bit more."
- Research participant during our interview
When I look at this final chapter now, I am stunned at how short it is and how under developed it is. I can only presume that when I began the proof-reading and editing process that I was unable to find sufficient sections of text to remove in the previous chapters that would allow me to add significantly to the Conclusion to make it worthwhile losing that prior text. I was, quite fairly , given constructive feedback around that specific point. This is clearly the weakest chapter in my mind because I touch on a few areas but do not sufficiently unpack and discuss them and their ramifications within the context of a conclusion chapter.

If you have managed to read through the three preceding chapters in full, you will find this one, comparatively, over in the blink of an eye.

Read More
0 Comments

Honours Dissertation Chapter Three

18/4/2017

0 Comments

 
"I wanted to stay away from body-image, I hated body-image, it was so cliché, it was overkill and I wanted to do something completely different and the idea that I came up with, they said it was too shallow, like it wasn’t in depth enough and they made me do body-image, and it really made me unhappy."
- Research Participant during our interview.
On reflection, I feel like this chapter is the second weakest. There were some avenues that I did not fully explore (largely due to word limit), but largely, I was frustrated as in working through this chapter, I found myself wishing that I had asked a particular follow up question to draw further insight from my research participants, to get to the heart of what they were saying. Both of these issues were noted within the examiners feedback, as was the fact that I missed, apparently, some significant articles in my research which would have made for strong additions to my writing. I found this a frustrating piece of feedback, not because I disagreed with it but because the articles and researchers that had been suggested had not come up at all in my literature review.

This means that either their importance is over-stated (unlikely) or that I did not hit on the right combination of keywords to find those particular researchers. As well, it was noted that I did not address some issues at all, such as the impact of perceptions within schools observed during practicum and the impact that had on relationships with the arts. In some instances, I had not the clarity of mind at the time, nor the experience to follow up responses with exploratory questions. In others, it simply did not seem like something that I needed to follow up until I started to write this chapter.

If you missed either of the previous chapters, you can find them here.

As always, thank you for reading, and I welcome any constructive feedback you care to offer.

Read More
0 Comments

Honours Dissertation Chapter Two

12/4/2017

0 Comments

 
"To me the arts, was just like a, a filler. Something just for the kids to do that is fun for them, that wouldn’t really tie into anything else cause [pause] my experience with the arts never tied into anything else."
-Research participant during our interview
The examiners found some problems within this chapter and when I read back through this chapter after reading their feedback, they were rather obvious problems as well. There were also a few rather silly typographical errors which somehow neither I nor Mrs C21 managed to pickup in our proof-reading.

If you missed Chapter One, you can find it here.
Chapter II – Methodology

Introduction
The underlying purpose of this research project is to examine and understand the discourses that constitute the taken-up positions of pre-service teachers at the end of their ITE programs in relation to art education, and to then identify and understand the perceived barriers limiting the implementation of the arts in pedagogical practice. Focusing on the subject positions of three final (fourth) year pre-service teachers who had all completed their ITE program coursework, and had only to undertake their final ten-week long practicum prior to completing their ITE program, this research was conducted utilising a post-structuralist lens to deconstruct and understand the discourses underlying the positions taken-up by the participants in relation to art education, and the resulting barriers as perceived by the participants, impacting on their implementation of the arts in their pedagogical practice.

Research Design
The use of qualitative research techniques allows for engagement with the multi-layered lived experiences of the pre-service teachers’ ITE in order to clarify the experiences and the participant’s understandings (Polkinghorne, 2005). A post-structuralist perspective assisted in ascertaining the underlying discourses of the participants subject positioning about art education and deconstructing the barriers limiting the implementation of art education. 

Data Collection
The use of qualitative research techniques allows for fluidity of direction in the data collection process, as participants’ responses may yield unexpected data that can drive new or different research directions, whilst also providing the opportunity to scrutinise the subject understandings of those discourses experienced by participants throughout the ITE program, and the specific contexts involved (Miles & Huberman 1984 as cited in Ramey-Gassert, Shroyer, & Staver, 1996). Participants were sourced through purposive sampling and engaged in semi-structured interviews, with the resulting data analysed through discourse analysis, assisted by positioning theory.

Sampling
The research focus was on a particular set of relationships; the relationship between ITE programs and pre-service teachers’ subjectivities relating to art education, and the pre-service teachers’ subjectivities relating to art education and the implementation of the arts in their pedagogical practice. For this reason, research participants were recruited through purposive sampling of the 2014 fourth year Bachelor of Education (Primary) / Bachelor of Arts cohort form the University of Newcastle’s Central Coast campus. This cohort was selected due to ease of access by the student researcher.

Purposive sampling allowed for the selection of information rich cases on the basis of their possessing a particular characteristic typical of the population being studied (Punch, 2009), namely those pre-service teachers who have completed their coursework but have not joined the ranks of graduate teachers. The purpose of this study is not, however, to generalise the findings across the current cohort of final year pre-service teachers, but to ascertain and understand the subject positions of the participants and the barriers they perceive around implementing art education in order to gain a clearer understanding for the potential reasons for the divergence between understanding of the benefits of art education and the implementation of the arts in pedagogical practice.

Interviews
The utilisation of in-depth semi-structured interviews allowed the participants to express their narratives about their subject positions (Punch, 2009; Tanggaard, 2009). The interviews were constructed through a pre-determined open-ended interview schedule to allow for a basic framework of the understanding of the experiences which shape the positions held by the participant to emerge. Those experiences were reinforced and the understandings deepened through the use of follow-up questions, which allowed for the pursuit of those experiences and narrative truths and understandings which appeared outside the scope of the original pre-devised schedule, or prompt questions (Punch, 2009). The use of open-ended questions is preferable to closed questions as it affords the participants the choice of how they answer (Marton, 1986 as cited in Huntly, 2008). The use of ‘’what’ as a question opener was utilised as this has been cited as facilitating a rich description by the participant of the core subject being studied Marton (1986 as cited by Huntly, 2008). The recorded interviews were transcribed solely by the student researcher, and transcriptions were sent to the participants, to provide an opportunity to conduct a member check.

Data Analysis
This research examines the positions taken-up by the pre-service teacher participants about the arts in education. Through discourse analysis of the interview transcripts, I attempt to identify discourses which construct the subjectivities of pre-service teachers’ vis-à-vis art education and future use of the arts in their pedagogical practice. The reasons behind the participants’ subjectivities are examined through a post-structuralist lens.

Discourse analysis has been used within this research study as it is a research method understood to be multimodal, combining an array of analysis techniques including, in this context, theoretical, interpretive and critical (Krug & Cohen-Evron, 2000). I take the view that discourses are a productive force created through the amalgamation of ideology, linguistic practices and social relationships which constitute the taken-up position, and the means by which we make sense of the world around us (Davies, 2004; Ma, 2013). There are a multitude of discourses encountered daily, and it is not possible to take up all available discourses (Davies, 1990). Understanding that there are multiple discourses which are not all able to be taken-up allows for an understanding of our existence at the nexus of multiple discursive practices, which can be conceptualised as subject positioning (Davies, 2004). Our subject positioning is constituted through internally owned, or taken-up, discourses (Atkinson, 2004), which are, and do, change over time (Atkinson, 2004; Davies, 2004). This post-structuralist conceptualisation of subject positioning then allows for an ongoing cycle of making sense of, and continually updating, the competing and often contradictory discourses to which we are exposed (Atkinson, 2004; Beijaard et al., 2004; Davies, 1990, 1997).

My understanding of a post-structuralist lens is that it will facilitate and encourage the questioning of those understandings and beliefs which are treated as ‘taken-for-granted’ as it is understood that knowledge is understood subjectively, produced culturally and constructed contextually (Woolfolk & Margetts, 2010). A post-structuralist framework posits that there is no single truth or meaning, and thus will allow me to examine the different narratives (Guba & Lincoln, 1994; Posner, 2011), about how positions held, about the arts in education came to be taken-up, as expressed subjectively by the research participants.

Validity
Validity, in the context of a qualitative research project such as this one, is as has been broadly stated as being “…the isomorphism of findings with reality” (Denzin  and Lincoln (Eds), 1994, p. 114 as cited in Punch, 2009, p. 315). In essence, qualitative validity is looking to ensure that the findings are commensurate with the data from which they were derived. To this end, a feature of qualitative research is the use of a technique known as ‘member checking’, which refers to the practice of checking with the subjects from whence the data came that they are in agreeance that; the initial data (in this research study the interview transcripts) are an accurate representation of the reality (in this research study, the interview), and that the final representation of themselves within the analysis and findings is consistent in relation to their subjective understanding of themselves (Punch, 2009).
 
Ethical Considerations
Due to the qualitative, and human-based nature of this research project, that is the nature of the participants’ personal beliefs and experiences being examined, due consideration was given to the ethical factors that arose, including consent and confidentiality. Participants were informed in writing about the nature of the study, and participation was on a voluntary basis, with written, informed consent being sought prior to inclusion. Participants were advised, in writing on the consent form, and verbally prior to the commencement of their interview, that they were free to refuse to answer any question, or to terminate the interview at any time, without any reason and without fear of repercussion. To protect their privacy, research participants were asked to select pseudonyms for use during the interviews, with any identifying data being either omitted or altered. Audio recorded interviews and the transcripts thereof have, and will continue to be, held securely in accordance with the University of Newcastle’s Research Data and Materials Management Policy (University of Newcastle, 2008). 

Participants were provided with an opportunity to conduct a member check, and accordingly were provided with a copy of the transcription of their interview for this purpose. This was done to afford participants an initial opportunity to review the interview and ensure that they are satisfied with how they and their views have been represented through the interview process (Punch, 2009). This process also provides an initial opportunity for participants to indicate that they wish for data from their interview, either in part or in whole, not to be used for the research project. Participants were also afforded an opportunity to conduct a final member check prior to the submission of this thesis, and were provided with a copy of the final dissertation for this purpose. This was done in order to provide a final chance for participants to ensure they were satisfied with how they have been represented and interpreted as part of the analysis process, and that they have been represented authentically.

It was not expected that research participants would experience stress, mental or emotional discomfort during the interview. Participants were be reminded at the commencement of the interview that they had the right to refuse to answer any question, or terminate the interview, at any time, without reason or negative consequences for their relationship with the researchers or the University of Newcastle.

Summary
Chapter Two outlined the methodology used within this research project, and the literature that supports the methodology’s use in relation to the research question. Chapter Three will communicate the subjectively understood answers to the research questions described within Chapters One and Two.
0 Comments

Honours Dissertation Chapter One

11/4/2017

0 Comments

 
“I’m not going to be an art teacher that teaches art”
- Research Participant, during our interview for my Dissertation
When I was in the process of completing my initial teacher education (ITE), I considered whether or not it would be worth undertaking the Honours process as part of that. There were a lot of factors that fed into the eventual decision to apply for a place, and ultimately, though it helped not one whit with acquiring a full-time position as a teacher, I am glad that I went through the process. It was long, mentally and intellectually challenging, and it pushed me to think more critically, to be more aware of research processes and biases as well of various research methodologies. I actually enjoyed the process of researching, and writing and it has had a significant influence on my writing style.

I had considered working towards having it published, however, have neither the time nor the mindset at this point to sit down and re-edit it sufficiently so that it fits within the word limits of a journal article. More importantly, I have no disconnected with the data and with that piece of research and would need to invest significant time and effort into reconnecting. I do wish to pursue a Research Higher Degree at some point (after Youngling has started school at the earliest is what I have been told) and so offer up over the next few articles, my Honours dissertation for feedback.

I have not made any edits whatsoever to this version. It is a straight copy and paste from my original 2014 file. I am rather proud of it, despite its now (to me) glaring flaws. If you wish to dive straight into the whole dissertation, you can find it here as a PDF. I have also made available the examiners reports and rubrics (after redacting their identifiable information). I found it interesting that one examiner marked it as an eighty-eight whilst the other marked it as an eighty-two. A fairly significant variation in marks, however, the average of eighty-five was sufficient to earn a High Distinction and thus, with the other requirements met regarding my Grade Point Average etc., the award of Honours Class I.

​I welcome any constructive feedback you care to offer.

Read More
0 Comments

FutureSchools 2017 - The Expo and Deborah Nicholson

25/3/2017

0 Comments

 
"We need to ensure that students see their ideas as valid so that they connect with school."
-Deborah Nicholson
Disclosure: My attendance at FutureSchools 2017 is under a media pass provided by the organisers.

The buzz amongst delegates at the conclusion of the opening plenary session was palpable. The buzz on Twitter was observable with a large number of tweets commenting about how much they enjoyed the presentations from Milton Chen, Jan Owen, and Prakash Nair, with tidbits of quotes, ideas, realisation and musings filtering through the twittersphere during the morning tea break. One of the first things I noticed during the morning tea break was that to access the tea and coffee and the morning tea, you had to be a delegate or a speaker.

The gentleman manning the access to the morning tea catering area indicated that his instructions were only those people were to be allowed through. I find this rather surprising, that exhibitors, who spend a considerable amount of money to be there, are not allowed food, nor media. Given that extortionate prices of the food vendors on the expo floor (lunch later in the day of a basic wrap (ham, cheese, tomato) and a 600ml bottle of soft drink cost me $13.50!) one has to question whether a percentage of the profits go back to the organisers. What was particularly annoying was that the only bathroom in the expo hall was accessed through the catering area, so one had to leave the expo area for those needs. Poor planning.

The other thing that I observed was that there did not appear to be anywhere near as many people on the expo floor as in previous years, both in terms of exhibitor numbers and delegates. That said, the space was a lot more contained insofar as it didn't have to be spread out across a cavernous concrete floor with steel beams and fenced off areas in the way as was the case at Australian Technology Park, the venue of the previous few years. Perhaps I am wrong, but given that three of the conferences were in small sectioned off areas of the Expo hall, that the catering area was significantly larger in floor space than previous years and also in the same area, and that at no point did I feel that I needed to squeeze through people talking in groups, I do not think I am.

#FutureSchools EXPO IS OPEN!! Visit us at MCEC today &a tomorrow! pic.twitter.com/khJAx9Emdp

— EduTECH (@EduTECH_AU) March 22, 2017
After the morning tea break, I headed to the Special Needs and Inclusion Conference to heard Deborah Nicholson speak about the impact of arts and music programs on the equity gap. It was a very small group, perhaps fifty delegates in the space, however, it was an interesting presentation. The create and performing arts are something of a passion of mine, writing my Honours Thesis on the topic of Teachers' Self-Efficacy in Teaching the Arts, and I do believe that arts, as a key learning areas just like mathematics, English, and Science, gets comparatively shafted. Not true in all cases, I know, but by and large, I think that I would be fairly accurate with that assessment.

Are we innovating, or just digitising traditional teaching - Tony Ryan #FutureSchools #classTech

— Cameron Ross (@CameronRoss3) March 23, 2017
A thought provoking Tweet emanating from the ClassTech conference stream.
Deborah spoke about the impact of the arts on Indigenous education. She noted that the positive experience of creating and performing helps students to feel more connected and confident. This flows on to positively impact on their academic results at school. Deborah pointed delegates to the Arts:Live website, a free resource that contains an array of professional learning and teaching resources specifically dedicated to the arts and their impact in schools.

As I was listening to Deborah present, I found myself continually distracted by the hubbub on the expo floor and the faint sounds of speakers from the other two conference streams that were being hosted in the expo hall (ClassTech and Young Learners). It was not enough to drown out Deborah, as the conference stream did have its own microphone and PA system, however, it was distracting nonetheless.

Great website for lesson ideas for digital technologies #futureschools https://t.co/NjDRLdmu4J

— Amanda Dodson (@MandyDodson) March 23, 2017
A great resource tweeted about from another conference stream.
Deborah then spoke about Beethoven and how if he wanted to catch up on the latest music that he did not have the option of simply going to YouTube, or Spotify, putting on some headphones, or any of the other conveniences that we have now. He had to go to a concert hall or to the bibliotheque where he would copy out by hand, the music he was interested in. I was struggling to identify the relevance of this phase and felt that I must have missed a critical element at the very start (I did arrive a few minutes late due to a conversation with a vendor) but then the proverbial penny dropped and I remembered that Beethoven was deaf.

It is important, for all students, to feel that their ideas and thoughts are valid so that they feel empowered and connected with their learning community and do not disengage, however, it is more so for students who have a disability of some description. I was given one example recently by a teacher who works alongside students with hearing impairments, who said that there is nothing more demoralising for those students than to have to watch a video that does not have closed captions or subtitles. It demonstrates a lack of forethought and knowledge and understanding of the student and how they learn and those students often simply disengage with the learning because they do not feel like a valid member of the classroom.

Deborah's presentation was interesting and a good reminder of the importance of arts in education. However, there were no takeaways that I could see, nothing that I could take back to school and put in place to benefit my students, other than accessing the Arts:Live website for professional learning and some resources.

Great overview of how PL can be mixed & matched @ccoffa #CSER Project Officer (Victoria) #FutureSchools cc @EdTechSA pic.twitter.com/7Y6jfdBfc4

— Tina Photakis (@tina_p) March 23, 2017
Some thoughts on how Teacher Professional Learning can be structured to suit the teacher from the FutureLeaders conference stream.
0 Comments

    RSS Feed

    Tweets by @C21_Teaching

    Categories

    All
    21st Century Learning
    3D Printing
    Aaron Sams
    Abdul Chohan
    Aboriginal Culture
    Aboriginal Education
    Academia
    ACARA
    Accreditation
    ACER
    Action Research
    ADE
    Aimmee Shattock
    AirSquirrels
    AITSL
    Alex Smith
    Alfie Kohn
    Alfina Jackson
    Alice Keeler
    Alice Leung
    AM Hon DLitt
    And Clark
    And The Band Played Waltzing Matilda
    Anne Van Der Graaf
    Announcement
    ANZAC Day
    Apple Distinguished Educator
    App Speed Dating
    Artificial Intelligence
    Ashanti Branch
    Assessment
    Augmented Reality
    AussieEd
    Australian Curriculum
    Awards
    Awesome
    Baby
    Behaviour
    BetterU
    Blake Seufert
    Blogging
    Bloom's Taxonomy
    Books
    Book Study
    Bradley Loiselle
    Brad Loiselle
    Branching
    Break
    Brett Salakas
    Brett Wood
    Brighton Secondary School
    Bron Stuckey
    BYO
    BYOD
    BYODD
    BYOT
    Cameron Malcher
    Camtasia
    Cara Johnson
    Career Change
    Carol Dweck
    Carolina Buitrago & Martha Ramirez
    Casual Teaching
    Catherine Ford
    Cathie Howe
    Change
    Charles Fadel
    Charles Leadbeater
    Chelsea Wright
    Chris McNamara
    Christopher Pyne
    Chromakey
    Chromebooks
    Clarification
    Class Notebook
    Classroom Economy
    Classroom Management
    ClassTech
    Class Tools
    ClickView
    CLT
    Coding
    Coercion
    Cognitive Load Theory
    Collaboration
    Collegiality
    Community Engagement
    Computer Skills
    Conference Expo
    Conference Review
    Confidence
    Connected Classroom
    Consequences
    Constantin Lomaca
    Constructivism
    Contemporary Pedagogy
    Cooinda AECG
    Copyright
    Corinne Campbell
    Cornell Notetaking
    Creative Writing
    Creativity
    Critical Thinking
    Crystal Caton
    Cultures Of Thinking
    Curiosity
    Cyberbullying
    Cyber Security
    Daily Summary
    Dan Haesler
    Dan Jones
    Data
    David Jakes
    Deborah Nicholson
    Democracy
    Digital Citizenship
    Digital Curriculum
    Digital Learner
    Digital Literacies
    Digital Literacy
    Digital Natives
    Digital Pedagogy
    Digital Pedgogy
    #DigLit
    Discipline
    DocHub
    Domains Of Knowledge
    Dominic Hearne
    Drama
    Dr. Britta Jensen
    Dr Caroline West
    Dr. David Zyngier
    Dr. Jane Kise
    Dr. Janelle Wills
    Dr Janine Beekhuyzen
    Dr Jill Margerison
    Dr. Kevin Donnelly
    Dr. Milton Chen
    Dr. Nerida McCredie
    Drones
    Dr. Rachel Wilson
    Dr. Robert Talbert
    Dr. Ruben Puentedura
    Duolingo
    Dyslexia
    Dyslexie
    Early Years Learning
    Earth Engine Time-Lapse
    Easter
    Ed Cuthbertson
    EdTech
    Education
    Educational Technology
    Education Funding
    Education Nation
    Education Policy
    Education Portfolio
    Education Vendor
    Education Week
    EduChange
    EduMedia
    #EduNationAu
    EduTech
    @EduTweetOz
    Edward DeBono
    Elder Gavi
    ELearning
    Elizabeth Amvrazis
    Employment
    English
    Eric Bogle
    Eric Mazur
    Errol St Clair Smith
    Esafety
    ESafety Commissioner
    Eureka
    Evidence Based Practice
    Experienced Teachers
    Family
    Feedback
    Film
    Flexibility
    #FlipConAdl
    FlipConAus
    FlipConNZ
    FlipLearnCon
    Flipped Learning
    Football
    Foundation For Young Australians
    Friday Freebie
    Frozen
    FTPL
    Fun
    Fundamental Movement Skills
    Furniture
    FutureSchools Expo
    GAFE
    Game Based Learning
    Game-Based Learning
    Gamification
    Gaming
    Gary Stager
    Gavin Hays
    GDocs
    GDrive
    Genius Hour
    Geography
    Gert Biesta
    GForms
    Glenn Carmichael
    Glenunga International HS
    Gonski
    Google
    Google Apps For Education
    Google Classroom
    Google Docs
    Google Drive
    Google Forms
    Google Lines
    Google Maps
    Google Slides
    Google Suite
    Graduation
    Gratefulness
    Green Screen
    Greg Ashman
    Greg Whitby
    Group Work
    Growth Mindset
    GSheets
    Heather Davis
    Heath Wild
    Higher Education
    History
    Hogan Assessments
    Holidays
    Homework
    Honours
    Hopscotch
    Horizon Report
    HSC
    Ian Jukes
    Ian Thomson
    ICT
    Ideology
    Indigenous Culture
    Initial Teacher Education
    Inquiry Based Learning
    Interland
    International Baccalaureate
    Internet Skills
    Invent To Learn
    IPad
    IPads
    ITE
    Iteration
    IWBNet
    #IWishMyTeacherKnew
    Iyah Rahwan
    Jack Hyland
    Jack Hylands
    Jacqui Murray
    James Meijboom
    Jamie Dorrington
    Jane Caro
    Jan Owen
    Jared Cooney Horvath
    Jean Piaget
    Jennie Magiera
    Jenny Magiera
    Jeremy Cumming
    Jeremy LeCornu
    Jim Sill
    Joel Speranza
    John Bergmann
    John Burfoot
    John Catterson
    John Dewey
    John Goh
    John Hattie
    Jon Bergmann
    Josh Aghion
    Kahoot
    Kanga Cup
    Kate Lanier
    Katharine Birbalsingh
    Katie Jackson
    Kaye North
    Keith Crawford
    Ken Bauer
    Kid President
    Kim Maksimovic
    Kindergarten
    Kirschner
    Kirsty Tonks
    Kirsty Watts
    Language
    Leadership
    Leanne Steed
    Learning
    Learning Spaces
    Library
    Lifelong Learners
    Life Maths
    Lila Mularczyk
    Lily Young
    Linda Ray
    Lindy West
    Lip Sync Battle
    Lisa Rodgers
    Literacy
    Louann Brizendine
    MacICT
    Makerspace
    Marc Prensky
    Margaret Merga
    Marissa Peters
    Mark Gungor
    Mark Liddel
    Mary Lousie Ryan
    Masterclass
    Mastery
    Mathematics
    Mathletics
    Matt Burns
    Matt Noffs
    Matt Richards
    Matt Scadding
    Media
    Melbourne Declaration
    Melbourne Girls Grammar
    Melinda Cashen
    Mental Health
    Merrylands East PS
    Metacognition
    Michaela Community School
    Michael Aulden
    Michael Beilharz
    Michael Ha
    Michael O'Leary
    Microsoft
    Milton Chen PhD
    Minecraft
    Mistakes
    Monique Dali
    Moral Machine
    Morals And Ethics
    Motivational
    Movie Making
    Murat Dizdar
    Music
    MyEd
    NAO Robotos
    NAPLAN
    Netiquette
    New Beginnings
    Newspapers
    New Teachers
    NMC Horizon Report
    No Excuses
    Note Taking
    Numeracy
    Oakhill College
    Office365
    Offline Access
    Old School Teachers
    Olivia-oneill
    Onedrive
    Onenote
    Organisation
    Padlet
    Panel Discussion
    Parent Communication
    Paul Hamilton
    PBL
    PCPS
    PD
    PDHPE
    PDP
    Pedagogy
    Pedro Negouera
    Peer Instruction
    Peggy Sheehy
    Penny Bentley
    Personal Characteristics
    Peter Adams
    Peter Ellis
    Peter Hutton
    Peter Mader
    Peter Paccone
    Peter Whiting
    Phillip Cooke
    Phillip Heath
    Philosophy
    Phonics
    Physical Education
    PISA
    Place Based Learning
    Planning And Programming
    PLN
    Politics
    Prakash Nair
    Pranav Mistry
    Pre-Learning
    Presenting
    Primary Classroom
    Privacy
    Private Education
    Problem Solving
    Productivity
    Professional Associations
    Professional Development
    Professional Learning
    Professor Barry McGraw
    Professor Geoff Masters
    Professor Jane Burns
    Professor Ken Wiltshire
    Professor Richard Buckland
    Professor Richard Telford
    Project Based Learning
    Prue Gill
    Public Education
    Public Vs Private
    Punishment
    QR Codes
    Questioning
    Rainy Mood
    Ralph Pirozzo
    Reading
    Recycling
    Referee
    Reflection
    Reflector
    Reggio Emilia Approach
    Relationships
    Reports
    Research
    Research Skills
    Resilience
    Resources
    Respect
    Rewards
    RFF
    Richard Byrne
    Robert Livingstone
    Robotics
    Roundtables
    Rupert Denton
    Ryan Gill
    Ryan Hull
    Sally Wood
    SAMR
    Santa
    Sarah Asome
    School Culture
    School Policy
    School Tour
    Science
    ScopeIT
    Self-Branding
    Seymour Papert
    Shane Hancock
    Shireen Winrow
    Silence
    Simon Birmingham
    Simon Breakspear
    Simon Brooks
    Simon Crook
    Simone Segat
    Simon McKenzie
    Simon Sinek
    Sir Ken Robinson
    Sixth Sense Technology
    Social Media
    Socratic Seminars
    Solar System
    Special Needs
    SponeBob Squarepants
    Sport
    Spreadsheet
    Staff Development Day
    Stage One
    Stage Three
    Standardised Testing
    Star Wars
    STEM
    Stephanie Kriewaldt
    Stephen Lethbridge
    STM Bags
    Stories
    Storify
    Stress
    Student Mobility
    Student Wellbeing
    Sue Waters
    Sugata Mitra
    Sunk Cost
    Super Awesome Sylvia
    Susan Bowler
    Sweller
    Sylvia Libow Martinez
    Teacher Education
    Teacher Fever
    Teacher Life
    Teachers Talking Teaching Podcast
    Teacher Value
    Teacher Wellbeing
    #TeachforThink
    Teaching
    Teaching Boys
    Teaching Philosophy
    TeachMeet
    Team Teaching
    TED Talk
    Temporary Contract
    Teresa Deshon
    TER Podcast
    The Arts
    The Eddies
    The Four Cs
    The Hewes Family
    Thinking Skills
    Think Pair Share
    Thomas William Nielsen
    THRASS
    Times Tables
    TMCoast
    #TMSpaces
    Topic Tags
    Tour Builder
    TPCK
    TPL
    Transmedia Storytelling
    Trial And Error
    Troy Faulkner
    Trust
    Tweetdeck
    Twenty-First Century Skills
    Twitter
    University
    URL Shorteners
    Vale
    Value
    Video
    Virtual Reality
    Visual Art
    VR
    Warren McMahon
    Winning
    Word Online
    Work Life Balance
    Worklife-balance
    Writing
    Youngling
    Youtube

Support

Contact
About
Flipped Teacher Professional Learning Videos
© COPYRIGHT 2015. ALL RIGHTS RESERVED.
Photo used under Creative Commons from brianc
  • Home
  • 100 miles for Beyond Blue
  • FTPL Videos
  • Blog
  • List of Blog Series
  • Education Resources
  • Starting with Flipped Learning
  • Friday Freebie
  • About Me
  • Contact