“The phrase, “technology and education” usually means inventing new gadgets to teach the same old stuff in a thinly disguised version of the same old way”
– Seymour Papert (1972, as quoted on p. 19)
In my initial post, which began this series, I wrote about the introduction to Libow Martinez and Stager’s book Invent to Learn where they gave us a brief overview of the maker movement and its place in society today. In the previous article in this series, looking at the first part of chapter one, we were given an overview of the historical origins of the maker movement and its pedagogical relationships with some of the giants of education including Piaget, Montessori and Dewey. This article will move through the remainder of chapter one, bringing us up to more recent times.
Technology often comes across in the media and policy speeches as being some sort of panacea for education, as though decades of low-investment in schools and teachers can be ‘fixed’ by giving students with only a few years left of their schooling a laptop as was the case during the Australian Digital Eduction Revolution. Seymour Papert’s quote above is something that the authors called “…revolutionary for 1968, but sadly remains a perceptive critique of schooling today” (p.19).
While technology can be an amazing enabler of creativity and critical thinking, it can only be such if it is utilised in a way that empowers students to be creative and critical thinkers. The current boom in the use of coding in schools, being labelled as a foundation skills that is as important as mathematics and reading only six months ago an article in The Age newspaper, is rather late considering that Seymour Papert and Cynthia Solomon published a paper in 1971 entitled Twenty Things to Do with a Computer that included coding, mechatronics, mathematical modelling and a range of other, then highly advanced learning activities that would by highly multi-disciplinary. The article also included a case for 1:1 computing, which has also taken education by storm as a seemingly new idea in the last decade.
Papert’s contention in 1972 was that the newly popular concept of gamification; specifically, game design, would be a powerful way of teaching children mathematical concepts. In 1996, Papert wrote that John Dewey’s argument for a move away from authoritarian classrooms was now more epistemologically accessible due to computers, and that the ultimate pressure for change in the structure of classrooms will come from children themselves. The potential for technology to change how students learn concepts across the sciences, mathematics, literacy and the creative arts is monumental, but the thinking about learning needs to catch up. Papert likens the great educational thinkers such as Dewey, Montessori and Vygotskys, to name but a few, to Leonardo DaVinci. The ideas are new and exciting and powerful, however there is not the infrastructure in which to properly implement the ideas.
The authors wrote that the Sputnik crisis created an environment where investment in hands-on science and mathematics was politically and socially popular, as were creative arts programs in schools and this led to less coercive schooling, with greater emphasis placed on individuality. It was, however, during the early 1960s in the Italian city of Reggio Emilia that making first became entrenched in an educational context. The community had been ravaged during World War Two and the decision was made to invest heavily in the rebuilding of the city with a long-term plan; the education of its youngest. The Regio Emilia Approach is the result of those years where the town’s infant and toddler care centres were built and run around the philosophies of Dewey, Piaget, Vygotsky and others, placing the child at the centre of the learning process.
From the Reggio Emilia Early learning (Australia) website:
“It’s only natural that children who are regarded in a warm and positive light will always succeed at a higher level than those who are judged in a limited or negative way.
Libow Martinez and Stager write that the teacher’s primary role in this learning context is a researcher tasked with preparing a learning environment suitable for a child based upon an understanding of that child’s thinking and interests. Vastly different from the role of a traditional teacher. There is now around fifty years worth of documentation and research on the Reggio Emilia Approach, and the authors contend that it “…may represent the world’s most mature model of sustained constructionism and progressive education” (p.23).
It is the advent of microcomputing that heralded the next large step forward for progressive education, with Neil Gershenfeld predicting that the next technological revolution would be one wherein users would make the tools they needed to solve their problems, something is now happening thanks to the growing use of Three-Dimensional Printers in school, industry and at home (p.24). This is leading to a situation where students are now being seen as inventors, teachers and collaborators with the driving force being mutual need, interest and style (p. 25). Thinking this through cause something of an “A-ha!” moment for me, as I connected the dots between the Reggio Emilia Approach, making and the Gershenfeld’s prediction, I realised that what we call self-directed learning is very often not that at all. It is in actuality, Teacher-led, but with less teacher involvement in the doing.
This has profound implications for teachers, as there is also a growing body of literature to help guide and inspire adults ‘in charge’ of children’s learning to incorporate making in their pedagogical practice, such as Make magazine, Howtoons, Fifty Dangerous Things (You Should Let Your Children Do) and 62 Projects to Make with a Dead Computer (and Other Discarded Electronics). Materials are also becoming cheaper and easier to access, including MakeDo, Suguru, MakeyMakey and a range of others, beyond the household items like empty boxes, bed sheets, cushions and lego.
All of these factors are coming together to create an environment ripe for children to be the creators of the learning, as evidenced in Sylvia’s Super Awesome Maker Show series of Youtube videos.
Libow Martinez and Sager write that it was in the late 1960s when Papert asked whether it was the computer programming the child or the child programming the computer, and it is now in the early twenty-first century that we have reached a point where it is now relatively easy for any child to access the equipment and information required for them to program a computer. Indeed, it is now becoming common for coding to be a part of a school curriculum, a movement that is becoming stronger, seemingly unchecked.
I would very much like to hear what my readers think about making in general, and making in the school context in specific. Thank you, as always, for reading, and you can find the other articles in this series by clicking here.
“I declare after all there is no enjoyment like reading! How much sooner one tires of any thing than of a book! — When I have a house of my own, I shall be miserable if I have not an excellent library.”
- Jane Austen, Pride and Prejudice
I have finished the theoretical part of my planning for this term, and now I am up to the practical part, the recording. The way that I will be structuring my flipped classrooms will involve a lot of reading of books for the students. Essentially, the majority of the students will be engaged with the flipped lesson (a book study) whilst I focus on a small group of students. Over the course of a few weeks, I will have seen all of my students and can then move onto the next part.
As part of getting ready to record all of the flipped lesson videos, I spent a significant amount of time in the local library, wandering amongst the bookshelves, looking for suitable titles. It was then that it struck me, how out of date I am with junior literature. I was able to pick out an assortment of books that I think will be suitable for each of my classes, but it started a train of though.
Who are the ‘go to’ authors for junior literature these days, and which books in particular are part of your core literature repertoire? I recall, growing up, that Morris Gleitzman, R.L. Stine, Mem Fox, Duncan Ball, Roald Dahl etc were considered essential reading.
If I was to pull a book from your classroom (or personal) book shelf to teach with, for any class from kindergarten to year six, what book, or which author would you be recommending, and why?